| 2024 | Manteia | Performance Exhibition (directors: MBow Limited - Roberto Alonso & Peter Nelson; artists & performers: Taurin Barrera, Joseph Chan Lazarus Chan Long Fung, Vvzela Kook, Samuel Swope, Davor Vincze, Current.cam, Karen Yu, Ching Chu & Keung Hoi-Ling; production: Jiafang Weng; Lights-Sound-Stage: Rachel Ip Chun-Lam, Allison Fong Tsz-Ching & Vivia Ho) |
| 2024 | Remote Gestures | Audio-visual performance for robot arm, 2 violins, percussion, 360-video & electronics (directors: Roberto Alonso & Peter Nelson; performers: Chi Shing Kung & Karen Yu; music: Davor Vincze; developers; Marlen Runz, Alexis Mailles & Daniel Stempfer; support: Jiafan Weng & Cherry Sum |
2024 | 9 Shards | Audio-visual performance for violin, 360-video & electronics (in collaboration with Roberto Alonso, Andrew Quinn & Peter Nelson) |
2023 | QUEE | for flute, sax, keyboard, percussion, electronics and video |
2021 | Hidden Dimensions | Interactive audio-visual installation (opening performance: Franz Schmuck & Davor Vincze) |
| 2019 | Strune dissected | Public presentation of artistic research based on the installation 'Strune' |
| 2018 | Strune | Audio-visual installation inspired by String Theory (in collaboration with Hrvoje Hiršl) |
| 2023 | Freedom Collective | chamber opera | 90' |
| 2020—2021 | XinSheng | video opera | 19' |
| 2025 | Prah | for symphonic orchestra | 9' |
| 2024 | …ckrsch! | for string orchestra & electronics | 3 |
| 2022 | The Wound is the Place where the Light enters You | for percussion, string orchestra & electronics | 15' |
| 2019 | Darkroom | for 2 percussion, string orchestra & electronics | 10' |
| 2018 | Reimagination | for large orchestra | 10' |
| 2017 | Laibach Concerto | for marimba, percussion, string orchestra & electronics | 20' |
| 2016 | Beasts | for chamber orchestra | 10' |
| 2015 | Plagiat | for mixed ensemble | 20' |
| 2024 | Ashes | for chamber orchestra | 8' |
| 2022 | acousti©remations | for mixed ensemble | 15' |
| 2022 | Hidden in Plain Sight | for solo clarinet, ensemble & electronics | 9' |
| 2019 | Fanfare | for brass sextet & tape | 10' |
| 2018 | Tomorrow is the past of some distant future | for mixed ensemble, narrator & electronic | 13‘ |
| 2011—2012 | Inflection point | for mixed ensemble & electronics | 12' |
| 2015 | E | for 3 voices & harpsichord | 8‘ |
| 2013 | Break-up/Make up/Break-up | for flute, oboe, piano, violoncello & contrabass | 5' |
| 2024 | K.aum I.rdisch | for solo clarinet | 12' |
| 2024 | Exo Signals | for violin & ambisonics | 13' |
| 2024 | Ec(h)otrash | for sax, e-guitar & electronics | 4' |
| 2021 | #MeMyselfAI | for violin & electronics | 15' |
| 2015—2019 | Take your time...hurry-up! | for bass flute & electronics | 15' |
| 2016 | 6 miniatures | for piano & tape | 10‘ |
| 2015 | Pushmi-Pullyu | for 2 electric guitars & live electronics | 12‘ |
| 2015 | Copy/Paste | for 2 accordions | 9' |
| 2013 | Bêtes de sexe | for tuba & electronics | 8‘ |
| 2012 | Atargatis | for violin & viola | 8' |
Composer, Researcher, Curator of Contemporary Music
Maison ONA info@db-vincze.com
Site by Daniel
Composer, Researcher, Conductor of Contemporary Music